Goblin Marketing Department

Moxie leads the department with a clipboard full of ideas and the confidence of someone who has never read the incident reports. She believes every commercial deserves adventure, emotional depth, and at least one effect the team has no idea how to produce.

When a character changes appearance between scenes, Moxie calls it “character development.” When the entire scene changes, she calls it “a bold new direction.”

Sweet, eager, and nearly hidden behind his enormous camera, Flick will do anything to get the perfect shot. Unfortunately, that sometimes includes filming his own forehead, forgetting which goblin is the lead, or hiring a stunt double who happens to be available.

He insists the doubles look identical. His glasses prescription remains under review.

Wrapped in his oversized cardigan, Splice turns the crew’s footage into what he considers cinematic history. He works through the night, fueled by coffee and the firm belief that viewers won’t notice something he only noticed after exporting.

Missing prop? Artistic choice. Different outfit? Costume change. Extra goblin? He was sure that one had been there the whole time.

Fizz builds the department’s monsters, falling objects, smoke machines, and anything Moxie describes as “a tiny, manageable explosion.” Her pockets contain screws, springs, and several things that are getting warm.

She approaches every technical problem with delight. If the monster changes size halfway through filming, she’s thrilled the expansion mechanism finally worked.